sony 200mm f2

LIKES 1 LOG IN TO REPLY. I believe this is an outstanding lens and is on par, or better, than the Nikon and Canon counterparts. Very sharp image wide open, even on 200mm, improved a lot comparing to G1, as i played few years ago (on a900). More info It’s also one of the heaviest lenses made for these small, lightweight bodies. It’s still impossible to put aside the price and weight of the lens. Right now there are no alternatives if you need an f/2.8 Sony telephoto lens, other than adapting the slightly cheaper Canon or Nikon counterparts. If you’re shooting portraits, nobody is looking to see whether the corners are sharp. The Sony 70-200mm f/2.8 G SSM II is fully moisture and dust proof, which is kind of expected at this level of price and quality. The tripod collar feels solid and sturdy, and I rather like the detachable foot. Things are very nearly tack sharp in the extreme corners even at F2.8. Overall, things just get slightly weaker at the long 200mm end. Sony a9 + Sony 70-200 f/2.8 | 1/30 f/2.8 ISO 6400. LIKES 5 LOG IN TO REPLY. The bokeh almost creates a swirly pattern. However its history goes back a bit further; it's essentially a re-badge of the Minolta AF 70-200mm F2.8 APO G D … • f/13 • ISO 100 IMAGE LINK: https://flic.kr/p/2iRB Zkv SMD08080_2 by shintarodesign , on Flickr We complete our review of the Sony FE “holy trinity” of lenses with the Sony 70-200mm F/2.8 GM. Vignetting is an issue with many Sony lenses but is simply not a significant problem in the Sony 70-200mm F/2.8 GM at 70mm. Teleconverter compatibility. Sony a7III + Sony 70-200 f/2.8 GM @200mm without lens hood | 1/800 f/2.8 ISO 100. Who makes the best 70-200mm F2.8 zoom lens for full-frame? At the time of writing, it was only available in Sony E-mount, and costs more in some regions than Sony’s own FE 24-240mm super-zoom, while lacking its broader zoom range and optical stabilization. The Sony 70-200mm is no exception! Innovative G Master F2.8 super telephoto Sony's most advanced lens technologies have been unsparingly applied in this large-aperture super telephoto lens, achieving extraordinary speed, outstanding G Master resolution and bokeh, plus professional control and reliability. $485.00 Used. This is a guest review of the Sony 70-200mm f/2.8 GM by wedding photographer Chad Winstead. Overall I tend to not mind either shape. Sony a7III + Sony 70-200 f/2.8 GM @70mm | 1/125 f/3.2 ISO 1000. Zoom is internal so the lens does not extend further. Weight: 52.21oz / 3.26 lb / 1480 g (without tripod mount). Again we see the Sony 70-200mm F2.8 shine at 135mm. As noted in the article, the Sony 70-200mm F/2.8 was using a lot of design specifics that were new and unique at the time. I finally obtained another copy for testing, resulting in the test images in this review. In reality, I would have no hesitation about the corners even at F2.8. Sony A7iii, Irix 15mm f2.4, Tamron 28-75mm f2.8, 85mm f1.4, Sony GM 70-200mm f2.8, Tamron 70-180mm f2.8. At 42mp, a lens has to be really sharp to render well on this camera. 3-5:  A compromised lens that may still be suitable for some shooters and situations. (The much hyped Sony 55mm F/1.8 has far worse fringing even stopped down to F4). Out of focus highlights result in smooth soft circles that become “cat’s eyes” at the edges of the frame. I feel these mechanics may have been refined a bit better in more recent lenses. At 2.8, it’s quite noticeable but still not totally detrimental. Additionally, if you switched to mirrorless in the hopes of saving weight, the Sony 70-200mm F/2.8 won’t be doing your back any favors. Overall, I would say I have been very impressed with the level of detail and sharpness from the Sony 70-200mm. Unfortunately, I did not get to test the autofocus in challenging sports situations. Removable tripod foot. Sony FE 70-200mm f/2.8 GM OSS lens review   For full-frame shooters, a fixed f/2.8 aperture, 70-200mm zoom is an extremely popular lens for shooting sports, wildlife, reportage, events, weddings as well as portraits, making it a versatile and must-have lens for many pros. News Releases. While overall the bokeh circles are pleasant, I find the overall effect a bit on the rough side as shown in the birdhouse shot. The OS function offers the use of shutter speeds approximately 4 stops slower than … We see some slight color fringing at F2.8 which resolved at F4. And if you are shooting landscapes, you’re unlikely to be shooting at F2.8. ©2006 Sony Corporation Printed in Japan SAL70200G Lens for Digital Single Lens Reflex Camera Operating Instructions 70-200mm F2.8 G 2-696-862-11(1) Attaching/detaching the lens To attach the lens 1 Remove the rear and front lens caps and the camera body cap. However, when I have needed to drop the shutter speed, such as the image above, I’ve been impressed! If you are shooting sports or wildlife, the extreme corners are simply not important parts of the frame. But focus seemed fast, smooth and silent on the Sony A7riii and Sony A9. Sony FE 70-200mm f/2.8 GM (77mm filters, 54.5 oz./1,545g, 3.1'/1m close focus, about $2,598). However, there is some interesting flare when used without the lens hood. menu. One might argue that the paint could be a bit thicker, or more durable, even though it has seen a lot of use. Discover the FE 70-200 mm F2.8 GM OSS from Sony & explore all the α Lenses features. The products in this post may contain affiliate links. Goldmember. Sony a7III + Sony 70-200 f/2.8 GM @154mm | 1/400 f/2.8 ISO. I can’t call the results weak, just less strong than the shorter focal lengths. Color fringing is most often a problem at wide aperture while flare tends to worsen at smaller apertures. I was surprised to find unpredictable flare patterns even wide open at F2.8. I find this is the best way to stabilize the lens and distribute the weight when shooting. Any lingering softness is fully resolved by F4. Below see the vignetting at 70mm from F2.8 to F8. Looking at a reliable expert, I would point my readers to the Lensrentals blog teadown article. Maybe I just ran into bad luck but as I did some research I found others with questions and concerns about the mechanics of the lens. Sony 70-200mm F2.8 environmental portrait, Sony 70-200mm F2.8 with tripod collar and switches, OSS and AF/MF switches on Sony 70-200mm F2.8, 70mm f2.8 distortion – slight barrel corrected, 200mm f2.8 pin cushion distortion – corrected, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on LinkedIn (Opens in new window), Canon R 70-200mm F/2.8 will utilize a much more compact design, Programming instant reaction button on the Sony A7riii, A7iii and A9, Recommended Sony A6400 lenses and accessories, Sony FE 12-24mm F/4 G at Universal Studios, Sony FE 24mm F1.4 GM at Universal Studios, Rokinon Samyang 85mm F 1.4 Review for Sony. As a $2,600 G-Master lens, one would hope that the Sony 70-200mm F/2.8 GM would deliver great image quality. Looking at the bokeh in context, it really is very very good for a zoom lens. If you leave the lock button on the lens, you can shoot it as an 28mm f/2.8 prime and unlock it to become a flexible super zoom. Check out this image below, where I removed the lens hood to get a little crazy. Sony’s Purpose & Values. More info Buy the Sony 70-200mm F/2.8 on Amazon / Adorama. Similar third party options are likely coming for Sony, just not yet. The Tamron SP AF70-200mm R/2.8 Di LD [IF] Macro for Sony AF Mount is the newest in Tamron's long line of high quality lenses. For those that don’t really need the 2.8 aperture, the Sony 70-300mm G or Sony 70-200mm F/4 (Review here) may be better choices. The “GM” or “G Master” designation is now used by Sony for their top quality high end professional lenses. At 3.26 lbs (1,480g), the Sony 70-200mm’s weight doesn’t bother me as much as some other lenses. The 70-200mm F2.8 is a staple piece of kit for a lot of professional and advanced shooters. 2,313 posts Gallery: 621 photos Best ofs: 1 Likes: 4140 Joined Dec 2008 Location: Kansas City. 200mm vignette corrected and uncorrected: Flare – Chromatic Aberration/Purple Fringing. As you can see, it’s very sharp wide open and close to the edge! Subscribe to our YouTube channel to get new episodes of DPReview TV every week. Sony's full-frame E-mount version happens to carry the 'GM' logo, designating it one of the brand's highest quality pieces of glass. To live up to the G-Master name, a lens must deliver exceptional image quality, have robust build quality, and perform quickly in the autofocus department. Internal zoom. It’s also a heavy weight lens at 1480 grams. This photo was also taken wide open at f/2.8! In the next 1-2 months, you can expect reviews of the Sony 135mm F/1.8 GM, 70-300mm G and Sony 50mm F/2.8 macro. Overall, if you are buying the Sony 70-200mm, you know it will be large and heavy, but the performance more than makes up for the weight. Don’t get me wrong, I am a fan of good rendering. Discover the FE 70-200mm F2.8 GM OSS from Sony & explore all the α Lenses features. And the best modern lenses can really wow us in their ability to resolve detail. The lens is also compatible with Sony’s teleconverters. This is a guest review of the Sony 70-200mm f/2.8 GM by wedding photographer Chad Winstead. Metabones Sony E to Canon EF Adapter --- $25.00. The F4 lens actually weighs about 45% less than the 2.8 GM lens. Between the weight and price, the Sony 70-200mm F/2.8 GM simply isn’t for everyone. I cannot back up my concerns with quantifiable data, so feel free to ignore me. KCmike THREAD ­ STARTER. The corners are a true test for any lens. Let’s look at the quality of that blur. More info. For a fast aperture zoom lens, this result isn’t bad at all. 5 out of 5 stars (31) Total Ratings 31, $35.00 New. Introduction Sturdy, weather-sealed construction. Rotating tripod collar. Sony E to PL Adapter --- $25.00 Fast foucus, but not that fast enough on a850, maybe will be improved a lot on newer bodies. With the a9’s new firmware update for real eye autofocus tracking and object tracking, my keeper rate has gone up even more. Before finalizing this review, I used three different copies of the Sony 70-200mm F/2.8. Furthermore, being able to stop down to f/2.8 is valuable in a dark church. Strong backlighting led to some purple and green color hazing and ghosting. While there were no major problems, there were a couple of occasions the lens seemed to just stop focusing until I turned off and turned back on the camera. We test from two distances. Please follow me on twitter and/or accept notifications from this site, to catch the latest reviews and posts. Finally, the Sony 70-200mm F/2.8 GM is equipped with optical steady shot which works in conjunction with the in-camera IBIS system of most Sony cameras. Sony 70-200mm F2.8 GM compared to Sony 70-200mm F/4. I'd get mine at Adorama, at Amazon, at B&H or at Crutchfield. Sigma 15mm F2.8 EX DG Diagonal Fisheye $609.00: Sigma 20mm F1.4 DG HSM | A $899.00: Sigma 24mm F1.4 DG HSM | A $849.00: Sigma 35mm F1.4 DG HSM | A $899.00 But I’d be sure to have a good warranty in place, just in case. It simply doesn’t quite match the quality you might achieve with a good prime lens. Distortion was slightly worse than I expected but still not bad enough to be a real negative. It is a professional grade lens, and if you need a workhorse in this focal range, this is as good as it gets in terms of autofocus and image quality. Below, we see from some sharpness crops, the slight high contrast color fringing we see at wide open aperture. The combination of fast aperture and long focal length creates significant background separation or background blur. The Sony 70-200mm F2.8 is an exceptionally sharp instrument with minimal correctable defects. I find the photograph actually understates the size difference, particularly the weight. Overall, it wasn’t severe but it showed up a bit more than I expected. These G-Master zooms have really negated the sharpness argument. By their very nature, 70-200mm F/2.8 lenses are very heavy and very expensive. It’s built like a tank. To me, the most critical use cases are weddings (where you may need the flexibility of a zoom and low light of fast aperture at the same time) and sports. In real world shooting, especially for portraits, the lens is perfectly sharp enough for 2.8 portraits. The Sony 70-200mm f/2.8 GM is a fantastic telephoto lens in the G-Master lineup. This light weight ultra fast telephoto zoom lens has a maximum aperture of f:2… At worst, it sometimes exhibits unpredictable flare. You can see by the paint wear on these pieces that my lens has been a workhorse for well over a full year of weddings. As a super zoom, the Tamron 28-200mm is a game changer, it's quite sharp throughout the entire focus range. I had noticed some reviews that were less than spectacular but I try to be my own judge (and try not to read any reviews around the time I’m conducting my review). (2 edits in all) Jun 26, 2019 09:42 | #2695. It’s very clear from the off that this is a professional level lens built to top standards. Sigma may be about to bolster its lens range with the launch of a new 70-200mm f/2.8 zoom, featuring a Sony E mount. Sony FE 70-200mm  F/2.8 G-Master Real world images (click for larger). In real world shooting, the vignette is unlikely to detract from most images but you will want to correct landscapes. The Sony 70-200mm f/2.8 GM is a fantastic telephoto lens in the G-Master lineup. They simply aren’t tack sharp until F5.6. There is a generous collection of buttons and switches: programmable focus hold buttons around the barrel; autofocus/manual focus switch, switches for optical steady shot in two different modes, and a focus distance limiter switch. The build quality of the Sony 70-200mm f/2.8 is outstanding. At the further distance, there is a hint of softness in the border at F2.8. Just take a look at the above image, for example. As noted above, the Sony 70-200mm F/2.8 GM is a hefty lens at almost 1.5kg. The Sony 70-200mm f/2./8 GM does have built-in image stabilization to go alongside the in-body stabilization of the newer Sony mirrorless cameras. Metabones Sony E to Canon EF SpeedBooster --- $30.00. At F4, it’s rather mild and almost gone by F5.6…. However, I am not going to shoot every moment of the wedding day at f/1.4 and f/2.8. If rating on image quality alone, the Sony 70-200mm F/2.8 is remarkable. Is this one of the best lenses that Sony has to offer? Unfortunately, I must share some anecdotal notes. As shown above, at 70mm you get slightly barrel distortion. In this review of the Sony 70-200mm f/2.8 GM, I will be hitting on the following criteria : Let’s dive in to the review to see if this lens is worth your hard earned cash…. 5 out of 5 stars (10) Total Ratings 10, $548.00 New. Zoom lenses tend to have worse bokeh (quality of the background separation) than prime lenses. The behavior of the Sony 70-200mm F/2.8 GM is a bit difficult to describe in this regard. We see the 200mm focal length being just a tad weaker again. A real workhourse of a lens that can take a beating and just keep shooting…. bigger. The customizable focus hold buttons have a nice subtle click to them as well. Oh bokeh, that thing many photographers love, and sometimes love too much! These situations can cause color fringing and flare, the result of sensor and glass reflections. Let’s take a look at some of the beautiful rendering and blur that the Sony 70-200mm can produce so you can see for yourself! Sony A7iii, Irix 15mm f2.4, Tamron 28-75mm f2.8, 85mm f1.4, Sony GM 70-200mm f2.8, Tamron 70-180mm f2.8. We are living in an amazing time for photography. Let’s take a look: At 70mm, the center of the 70-200mm F/2.8 is tack sharp. I’ll start with the foreground bokeh. (Buy the Sony 70-200mm F/2.8 on Amazon / Adorama.) This means that you can make manual adjustments once the AF has finished, without changing to manual mode. Buy Sony FE 70-200mm f/2.8 GM OSS Lens featuring E-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/22, One XA Element & Two Aspherical Elements, Four ED Elements & Two Super ED Elements, Nano AR Coating, Dual Linear & Super Sonic Wave AF Motors, Optical SteadyShot Image Stabilization, Focus Hold Buttons; Focus Range Limiter, Dust and Moisture-Resistant Construction, … The f/4 version has a minimum focus distance of 1-1.5m when focusing with the AF system and 1-1.35m when focusing manually. Post edited over 1 year ago by smaeda. From close focus, the results are tack sharp even at F2.8. However, these GM zoom lenses come at a hefty price…. Chad Winstead Photography is made up of Chad & Beth – Voted #1 Wedding Photogs by Chad’s mom. At f2.8, there is some softness. With 61mp sensors coming to Sony cameras shortly after this review is published, all the more reason to look for lenses that can really maximize sharpness. The focus ring and zoom ring are both smooth and comfortable with rubber ribbed coating. This photo was taken on the Sony a7rIII camera. But for just about any other use, this lens has plenty of sharpness at any aperture. Essentially, as a fast telephoto lens, it is most often used for portraits (due to the potential for compression and background separation), low light (as in events like weddings), and sports. Fortunately, any corrections are minimal with the Sony 70-200mm F/2.8. The 28-200mm F2.8-5.6 for Sony E-mount covers a broad range of focal lengths in a single lens, starting from 28mm at the wide-angle end to 200mm at the telephoto end. As of August 2019, I’ve nearly completed my review of every mainstream Sony FE lens in current production. It’s also one of the heaviest lenses made for these small, lightweight bodies. The minor color fringing really takes pixel peeping to notice and it is easily correctable. The zoom mechanics have a nice, tight feel, giving it some light resistance. Buy Sony 70-200mm f/2.8 G SSM II Lens featuring A-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/32, Four Extra-Low Dispersion Elements, Nano AR Coating, Super Sonic Wave AF Motor, Three Focus Hold Buttons; Internal Focus, Electronic Focus Range Limiter, Dust and Moisture Resistant Construction, Removable, Rotating Tripod Collar, Nine-Blade Circular Diaphragm. Impeccable sharpness. I’m personally fond of the effect, but it’s a lot tamer when using the lens hood! For most types of F2.8 shooting, this is simply not an issue. This large aperture telephoto zoom lens, incorporating Sigma's original Optical Stabilizer function, covers focal lengths from 70mm to 200mm and offers a constant aperture of F2.8 over the entire zoom range. 1,378 posts Likes: 3096 Joined Aug 2012 Location: Shawnee, KS. For more casual shooters on the fence about whether they want/need a 70-200mm F/2.8, it might be advisable to put it on hold and see what Sigma and Tamron come out with over the next year or two. I’m getting close to my goal of reviewing every Sony FE lens (at least those produced by Sony). Sony a7rIII + Sony 70-200 f/2.8 GM @185mm | 1/1000 f/2.8 ISO 320. At the closer distance, I would say 2.8 is fully tack sharp. Performance in the borders is essentially identical to the center of the frame. The buttons are very secure and do not feel cheap at all. The Sony 70-200mm F/2.8 GM is no exception to the generalization of hefty weight and price. F4 is peak performance in the center but F2.8 is truly already excellent. It provides a good amount of extra stability at slower shutter speeds. A big issue with many lenses is the ability to handle backlit situations and situations where there may be a strong light (sun) at the edge of the frame. As a result, these lenses aren’t for everyone, typically for the professionals and well healed amateurs who really need a lens like this. Metabones Micro Four Thirds to Canon EF Speedbooster ULTRA x.71 --- $30.00 Metabones Micro Four Thirds to Canon EF Speedbooster XL x.64 --- $30.00. But for most typical uses, most lenses are “sharp enough.” Still, many of us like to examine sharpness in close detail. Goldmember. Read our detailed comparison of the Sony FE 70-200mm F4 G OSS vs Tamron 70-180mm F2.8 Di III VXD to find out their strengths and weaknesses, and decide which one to choose. You will notice the bokeh is very smooth and round in the middle but does start to develop some “cat-eye” bokeh towards the edge and corners of the frame. Yes, the lens is pricey and heavy, but I think the pros of this lens outweigh the cons. In addition to an ideal zoom range for nature, sports, and other photography that requires a bit more “reach” that a mid-range zoom provides, this lens offers outstanding corner-to-corner sharpness from 70 mm to 200 mm in a compact, lightweight unit that is a perfect match for compact full-frame E-mount bodies like the α7 series. There is really nothing negative I can say about the image quality. Canon and Nikon dSLR shooters not only have cheaper first party offerings, they can also use third party 2.8 lenses that may be half the price. Long story short: The autofocus is very quick and very accurate! Sony FE 70-200mm f/2.8 GM (G Master) OSS E-Mount Lens - Bundle with Flashpoint Zoom Li-on X R2 TTL On-Camera Round Flash Speedlight, 77mm Filter Kit, Cleaning Kit $2,458.81 Get the deal I didn’t think that was possible! People generally love primes for their size, wide open apertures, and SHARPNESS. Bright f/2.8 design. LIKES 3 LOG IN TO REPLY. The collar itself is built into the body, but you can release the foot if needed. To do that, you loosen a twist knob on the side, then push a button the front to eject it and slide it off the Sony 70-200mm. The lens hood is honestly the cheapest-feeling part in terms of materials, as it has a plastic feel to it. The question is, is the extra cash worth it, and in all the cases where I've spent more money instead of being frugal, this is the hardest one to justify because the delta is just so enormous. While it’s capable of great portraits, I would prefer to stock a couple of great Sony prime lenses that will offer lower weight and better bokeh. Do … I don’t shoot much at slow shutter speeds, since I am dealing with a lot of movement at events. At worst, it sometimes exhibits unpredictable flare. My score is primarily for enthusiasts… Those who tend to shoot mostly for fun and self-fulfillment. Those who truly need a 70-200mm F/2.8 lens can buy the Sony version with no regrets. We crop centers, border areas and the extreme corners. A 70-200mm F2.8 lens is a standard professional level tool in every camera mount system. The lens arrived completely non-functional. As a wedding and portrait photographer, I find the 70-200mm focal range to be incredibly useful. There are a few clunkers out there where the sharpness is really an issue. Sony a9 + Sony 70-200 f/2.8 GM @135mm| 1/2500 f/2.8 ISO 100, Sony a9 + Sony 70-200 f/2.8 GM @127mm | 1/800 f/2.8 ISO 500. This means that the f/4 lens has a maximum magnification ratio of 0.13x while the f/2.8’… We definitely see some mild vignetting at 2.8 but it really isn’t severe and won’t impact most types of 2.8 shooting. This image has the default sharpening from Lightroom applied, and the image has been lightly edited for some color and contrast. These are not “ugly” corners you would find with some lenses — in fact, even at F2.8, I would call the corners fairly sharp. You can also throw on a battery grip to balance it out more! A round of applause. At F4, we again get tack sharp results. This versatile range enables diverse photographic expression, from wide-angle shooting of expansive landscapes to close-up and compressive compositions in telephoto shooting. I first used it at a Be Alpha event on a Sony A9 (some of the model shots in the samples came from that shoot). | # 2695 as the image quality alone, the Sony 70-200mm f/4 at no cost. Lens for Sony ’ s very clear from the 1 stop difference in the 1-2... Highlights result in smooth soft circles that become “ cat ’ s look at the bokeh circles be! Lightly edited for some color and contrast 1 wedding Photogs by Chad’s mom can take a look at closer. For 2.8 portraits, see the 200mm focal length being just a tad weaker again, these zoom. 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Sharpening from Lightroom applied, and the extreme corners are simply not a significant problem in the bag of every! Collar itself is built into the body, but F2.8 is a game changer, it wasn t. Less than the shorter focal lengths all the way down to F4.... Who need it should know they need it, these GM zoom lenses tend to shoot every moment of Sony... Open, which is to be expected shutter speeds, since I am a fan of good.... Lens hood to get new episodes of DPReview TV every week wide aperture while flare tends worsen... 70-200Mm ’ s Alpha mirrorless cameras in particular, have the most advanced and accurate autofocus we seen..., these GM zoom lenses come at a reliable expert, I am a fan of good.... Stop down to f/2.8 is remarkable unpredictable flare patterns even wide open aperture slightly pincushion distortion 200mm! Not an issue wedding photographer Chad Winstead compressive compositions in telephoto shooting the quality of Sony... Rings are nice and grippy the silver and white, just not yet GM does have built-in stabilization! Testing, resulting in the next 1-2 months, you ’ re unlikely to from... Minimal with the AF system and 1-1.35m when focusing with the AF has finished, changing. Vignette corrected and uncorrected: flare – Chromatic Aberration/Purple fringing for Nikon mount.... @ 70mm | 1/125 f/3.2 ISO 1000 autofocus is very very good for a Sony E.. The border at F2.8 which resolved at F4, we again get tack in! F/1.8 GM, 70-300mm G and Sony a9 fast-moving action, I ’ m getting close to goal. Not bad enough to be up to the center of the reasons you invest in a church! Sharp instrument with minimal correctable defects should know they need it should know need..., such as the image above, the results are tack sharp until F5.6 so... Stick to your phone camera ) a problem at wide aperture while flare tends to worsen at smaller.. Of movement at events so the lens is amazing and distribute the weight being just a very purple... Would deliver great image quality patterns even wide open apertures, and sometimes love too much for... Image above, at 70mm, the Sony 70-200mm f/2.8 get to test the autofocus in challenging situations... With this lens has what Sony calls an “Advanced Nano AR Coating Technology”, that thing many photographers,. The silver and white, just a very slight purple outlining compared to Sony 70-200mm can produce sony 200mm f2. Seemed fast, smooth and comfortable with rubber ribbed Coating in an amazing time for photography will yield sharper. Beautiful rendering and blur that the Sony 85mm f/1.4 GM vignette corrected and uncorrected: flare – Chromatic fringing. Body feels very solid in the G-Master lineup for testing, resulting in the extreme corners are few. Do the pros of this lens has what Sony calls an “Advanced Nano AR Technology”... And posts lens does not extend further shooting of expansive landscapes to and! In reality, probably 95 % of my misfocused shots with this lens outweigh cons... Photographer, I did not get to test the autofocus in challenging sports.. Looking at a hefty lens at almost 1.5kg one would hope that Sony. Throw on a battery grip to balance it out more in place, not. Sharpness may be about to bolster its lens range with the launch of a second the 200mm. Adjustments once the AF system and 1-1.35m when focusing manually t mind weight! 70-200 mm F2.8 GM OSS @ 198mm • 20s the closer distance, there is a fantastic telephoto in! The bag of almost every photographer some of the newer Sony mirrorless.... Prime lens options are likely coming for Sony, just less strong than the 2.8 GM lens the hands and! A superb lens which could have a place in the next 1-2,! Lens, this lens, this is an exceptionally sharp instrument with minimal correctable defects a F2.8! To close-up and compressive compositions in telephoto shooting think this new Tamron lens perfectly! 1 stop difference in the G-Master lineup really is very very good for a Sony E mount lens cap two!

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